• Home
  • About
  • Ph.D.
    • Abstract
    • Contents / Resource Map
    • Introduction
    • Chapter 1 – Rationale & Contextual Review
    • Chapter 2 – Defining the Field
    • Chapter 3 – Narrative Themes
    • Chapter 4 – Source, Process & Practice
    • Conclusion
    • Bibliography
    • List of Illustrations
    • Appendices
  • Gallery
    • ‘Work Process’
    • ‘Pockets’ Series A
    • ‘Pockets’ Series B
    • ‘Milagros’ Series
    • ‘A Sense of Place’ Series
    • ‘House’ Series
    • ‘Love Seeds’ Series
    • ‘Journey’ Exhibition
    • ‘Kit’ Series
    • ‘Crossing’ Series
    • ‘X Marks the Spot’ Series
    • ‘Mask’ Series
    • ‘Balance’ Series
    • Jerwood Exhibition
    • ‘Brooching the Subject’ Exhibition
    • ‘Japan’ Series
    • ‘Paris’ Series
    • ‘Trophy’ Series
    • ‘Relationship’ Series
    • ‘Dear Green Place’ Series
    • ‘End of the Line’ Exhibition
    • ‘Pére Lachaise’ Series
    • ‘Fragments’ Series
  • Biography
  • Contact
  • Home
  • About
  • Ph.D.
    • Abstract
    • Contents / Resource Map
    • Introduction
    • Chapter 1 – Rationale & Contextual Review
    • Chapter 2 – Defining the Field
    • Chapter 3 – Narrative Themes
    • Chapter 4 – Source, Process & Practice
    • Conclusion
    • Bibliography
    • List of Illustrations
    • Appendices
  • Gallery
    • ‘Work Process’
    • ‘Pockets’ Series A
    • ‘Pockets’ Series B
    • ‘Milagros’ Series
    • ‘A Sense of Place’ Series
    • ‘House’ Series
    • ‘Love Seeds’ Series
    • ‘Journey’ Exhibition
    • ‘Kit’ Series
    • ‘Crossing’ Series
    • ‘X Marks the Spot’ Series
    • ‘Mask’ Series
    • ‘Balance’ Series
    • Jerwood Exhibition
    • ‘Brooching the Subject’ Exhibition
    • ‘Japan’ Series
    • ‘Paris’ Series
    • ‘Trophy’ Series
    • ‘Relationship’ Series
    • ‘Dear Green Place’ Series
    • ‘End of the Line’ Exhibition
    • ‘Pére Lachaise’ Series
    • ‘Fragments’ Series
  • Biography
  • Contact

'Dear Green Place' Series

Images

7.39 'Glasgow Coat of Arms' Source
7.39 ‘Glasgow Coat of Arms’ Source
'Dear Green Place' 2003. Brooch; white metal, obsidian, lemon chrysoprase, readymade
7.40 ‘Dear Green Place’ 2003
Brooch; white metal, obsidian, lemon chrysoprase, readymade
7.41 'Dear Green Place' 2004. Brooch; white metal, readymades, found object, carnelian
7.41 ‘Dear Green Place’ 2004
Brooch; white metal, readymades, found object, carnelian
7.42 'Dear Green Place' 2004. Brooch; white metal, readymades, rock crystal
7.42 ‘Dear Green Place’ 2004
Brooch; white metal, readymades, rock crystal
7.43 'Dear Green Place' 2005. Brooch; white metal, wood, paint, readymades, carnelian
7.43 ‘Dear Green Place’ 2005
Brooch; white metal, wood, paint, readymades, carnelian
7.44 'Glasgow Brooch' 2004. Brooch; white metal, wood, paint, garnet, mother of pearl
7.44 ‘Glasgow Brooch’ 2004
Brooch; white metal, wood, paint, garnet, mother of pearl
  • Contemporary Narrative Jewellery
  • Privacy Policy
  • Contact

© 2024 Jack Cunningham | Contemporary Narrative Jeweller